barry_hatfield

<p>Thanks! I'll check out some others since this one is not in english.</p>

It appears that Sony has really addressed the issues. I have not gotten to the point of addressing focusing. I have been so used to using the split screen view finder. How does focus peaking and manual focus assist work?

<p>I have summarized all the lenses everyone has mentioned. The most popular lens is the 50/1.4 followed by the 35/2. I can work on a shopping list from everyone's comments. Thank-you!</p> <p>15/2 fisheye <strong>1</strong><br /> 17/4 <strong>1</strong><br /> 24/2 <strong>2</strong><br /> 24/2.8 <strong>1</strong><br /> 28/2 <strong>1</strong><br /> 35/2 <strong>5</strong><br /> 35/2 SSC concave <strong>1</strong><br /> 50/1.2 L <strong>1</strong><br /> 50/1.4 <strong>9</strong><br /> 50/f3.5 macro <strong>2</strong><br /> 55/1.2 SSC Aspherical <strong>2</strong><br /> FL55/1.2 <strong>1</strong><br /> 85/1.2 L <strong>2</strong><br /> 85/1.2 SSC Aspherical <strong>1</strong><br /> 85/1.8 SSC <strong>3</strong><br /> 100/2 <strong>2</strong><br /> 100/2.8 <strong>1</strong><br /> 100/4 <strong>1</strong><br /> 135/2 <strong>2</strong><br /> 135/2.5 <strong>1</strong><br /> 200/2.8 <strong>1</strong><br /> 300/ L <strong>1</strong><br /> 400/2.8 L <strong>1</strong><br /> 400/4.5 <strong>1</strong><br /> FL F 500/5.6 <strong>1</strong><br> 20-35/3.5 L <strong>1</strong><br /> 35-105/3.5 <strong>1</strong><br /> 24-35-L <strong>1</strong><br /> 70-210/4 <strong>1</strong><br /> 80-200/4 <strong>1</strong><br /> 80-200/4 L <strong>3</strong></p>

<p>In essence, I really do not need to be concerned about metering with the newer adapters. Thanks for clearing that up for me.</p>

<p>As I have been looking for a digital camera to use with my FD lenses I met a gentleman who is the National Park photographer Frank Lee Ruggles. He has taken the place of Ansel Adams. We had a great discussion about digital vs. film. He pointed out that there is an issue with metering in the digital cameras using FD lenses.<br> What do you do for metering? Do I need to buy a good light meter? If so, what is your recommendations?</p>

I read, on this forum, of an individual who placed his lens in a window for 2 weeks and the lens became clear again. For some reason he wrapped the lens with aluminum foil. I presume that this protected the barrel from fading.

<p>Jochen:<br> It seems that so far the 50/1.4 tops the list of favorites with the 35/2.0 a close second. I think I will try to compile a list from everyone's favorites. </p>

<p>Jim:<br> You have an enviable collection. I've looked at the specs on the 35/2.0 concave. In what situations do you use this lens? I am curious why the chrome nose lenses pop up. Is there a significant difference? </p>

<p>Stephen:<br> I will try out the 50 macro next time I am out.</p>

<p>David:<br> The photos are great. Thanks for the youtube video. It looks very simple to use. </p>

<p>Rick:<br> I think that I need to find someone close by with a fluorite lens so I can try it and compare it with a standard lens. I think that will be the tipping point for me. </p>

<p>David:<br> I will post my experience with the A7 on Wednesday.</p>

<p>Bill:<br> Based on the prices that the fluorite lenses are commanding I think that speaks for itself.</p>

<p>Ben:<br> I'm having a hard time keeping up with all the great information. I like your description of your 3 primary lenses. I have the 85/1.8 and it is my favorite. I have since acquired a number of additional standard lenses to play with so I can get an idea of what I like. I have always looked upon the aspherical lenses as the best. As I get back into photography I will most likely sell the lenses I don't care for and upgrade to fluorite lenses. </p>

<p>Hi Ivan:<br> In my opinion the 85/1.8 is the way to go. I have one and it is my favorite lens by far. The 85 captures the human face perfectly.</p>