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atina_de_greffuhle

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  1. <p>Hello!</p> <p>Does anybody recognize the camera the male model is using in this video?</p> <p>
  2. <p>By now you’ve all heard that Apple has introduced the “wide color gamut” colour space to its iPhone 7. So at first I thought that that meant wide-gamut RGB colour space, but in fact, only now I see, on the AnandTech, Web site that that means DCI-P3, something completely different. Also at first I got a bit afraid for Samsung and its Note 7, thinking it didn’t have such capabilites, but now I see that somewhere in its settings you can choose from a variety of colour modes, including the DCI-P3 and the Adobe RGB colour space.</p> <p>So what I’d like to know is will this have any kind of interesting consequences?</p> <p>If the Note 7, too, can be used in the DCI-P3 colour mode, can it as well capture images in this colour space?</p> <p>If you capture an image using the iPhone 7 and, say, these new Instagram filters that are coming specially designed to make use of this new camera in the smartphone, if using an sRGB screen, you won’t have any use of it, and the image being viewed will be much duller-looking.</p> <p>Will this all then thus mean that we are slowly going away from sRGB into other territories? Why has that not happened yet? Are there any special problems in trying to make laptops, computer screens, TVs support any other, wider, colour spaces?</p> <p>Is this all useless without colour management on the phone?</p> <p>I’m confused. Which, I think, is very visible.</p>
  3. <p>Thank you, Jeff, I'll try.</p> <p>Tim, I never really expected it to be this complicated when that old thread was active.</p> <p>Everybody kept saying "It's easy", yet no one came even close to achieving this look. If it's easy, why not do it thoroughly and successfully.</p> <p>The colourist from Australia came as close as possible, I think.</p> <p>Which reminds me, can you key out areas in Lightroom or similar software?</p>
  4. <p>Tim, it helped.</p> <p>But this seems like the closest way to get to the original.</p> <p>So since that thread cannot be bumped successfully, and since it is a different topic altogether and in a different subforum, I wanted to learn what were the equivalents of these controls in still-imagery software.</p> <p>I'm through. I want to get to the bottom of things. I don't like half-baked recipes and answers.</p>
  5. <p>Can anybody tell me how can this be translated to be applied to still images?</p> <p>http://juanmelara.com.au/midnight-in-paris-reverse-engineering-the-grade/</p> <p>In Lightroom and similar programs, what would be the equivalent to colour wheels and offset?</p>
  6. <blockquote> <p>The custom setting is meant to be used with a grey object in non-changing light conditions. Use it to shoot the grey card, which will then set the correct white balance for that lighting. It doesn't really matter what the colour temperature of that light is; it's meant to normalise it to make 18% grey look like the perfect mid-tone grey.</p> </blockquote> <p> <br> Not really. Look:<br> <br> https://support.usa.canon.com/kb/index?page=content&id=ART105422</p>
  7. <p>Andrew, I did type into Google search box something like "'fluorescent H' colour temperature" and didn't come up with much. ('' were obviously "": here I'm obeying the style manuals.)</p> <p>This is so fascinating; I found out a lot I wasn't expecting to.</p> <p>One of the reasons why I asked was because I was going to shoot with a really simple point-and-shoot camera and it didn't have the Shade white balance setting, I was wondering if it would give me warmer images if I set it to Fluorescent H than if I set it on Cloudy, however small that might be.</p> <p>Then I thought, as per the camera's manual, perhaps I can take a piece of white paper and put it in some deep shade – or somewhere better, which is why I asked for suggestions – and then take the reading and shoot with that.</p> <p>I would know how to handle a powerful DSLR, but for some reasons I wanted to do this with this simple camera.</p>
  8. <p>Camera's manual says that Fluorescent is for "warm-white fluorescent, cool-white fluorscent, warm-whitetype (3-wavelength) fluorescent" and Fluorescent H is for "daylight fluorescent, daylight-type (3-wavelength) fluorescent".</p> <p>A few questions.</p> <p><br /> First, could anybody tell me the numerical values for colour temperature of these settings?<br /> Second, since they explicitly mention three-wavelength light sources, does that mean that the others emit light of only one wavelength?</p> <p><br /> Third, is there a way to use the Custom setting and point it towards something really cool or really warm and then take a picture that is really warm or really cool? How can that be done? So, for example, that means pointing to a light source with the 10,000 K colour temperature in daylight, which is, what, somewhere between 5000 and 6000 K, and thus making an image warmer or, the other way around, pointing towards something that emits a light with the colour temperature between 1000 and 2000 K, like tungsten lights, and thus making an image cooler.</p> <p><br /> How can I make sure that the camera remembers such a setting?</p>
  9. <p>I was wondering how can I change the colour of highlights or shadows and can I choose a specific RGB (or any other colour code) values to do so?</p> <p>Can I make an image overall more of a certain colour, perhaps pump more orange into it?</p> <p>Furthermore, is there an option similar to offset in colour correction to warm an image, and is there a way to select certain areas of a scene and make it not be affected by the changes in other areas of the photo?</p>
  10. <p>Thank you.</p> <p>It's actually a great example because of the clouds, which is something I'd like to change in a couple of shots.</p> <p>Can I define the colour via RGB coordinates?</p>
  11. <p>Jeff, I can use either Lightroom or Capture One. If there is another program you would recommend, I would gladly listen to your proposal.</p>
  12. <p>How can I make my highlights be of certain colour?</p> <p>Can I use an RGB or HEX value of the colour I have in mind?</p> <p>I would like to colour them in such a way so that the shift to this colour affects all the other colours.</p>
  13. <p>That's so simple, Karim and BeBu.</p> <p>But if someone asked you why is that wider frames get letterboxed on narrower ones, what would you say?</p> <p>It's terribly simple to see why narrower frames get pillarboxed on wider ones.</p>
  14. <p>Who does one contact about moving a topic from one subforum to the other?</p>
  15. <p>This is probably not the best place to ask this, but I have no idea where else to put it.</p> <p>I would like to know given two rectangles, one with the aspect ratio <em>a : b</em>, the other with <em>c </em> <em> : d</em>, how can one know immediately if the <em>c : d</em> image will appear on the <em>a : b</em> rectangle as letterboxed or pillarboxed?</p>
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