New Mexico is more quietly beautiful than some Western states. It isn't
"one National Park after another" like Utah or California. It doesn't
have one spectacular spot like Yellowstone. You might have to
spend an entire year in this vast state to hit your photographic
stride. But if you do hit that stride, you'll be in good company with
the artists and photographers who've been attracted to the light for
over a century.
Things Made by People
There are three cultures co-existing in New Mexico (if you read the
middle third of my Summer 1994 travelogue then
you might question the extent to which these actually co-exist). The
Indians created interesting pueblos. The Spanish some impressive
churches. The Anglos ... mostly some houses that look like they
could have been imported from Cleveland.
There are awe-inspiring Anasazi houses dating from 1200 A.D. or so. The
most famous of these are in Mesa Verde National Park, just over the
border into Colorado from northwest New Mexico. For photography, I
personally think that Chaco Culture National Historic Park is the most
interesting ancient spot. It is also possible to photograph at current
occupied pueblos in Taos and Acoma.
As far as Spanish adobe churches, the most famous is in Ranchos de Taos,
90 minutes north of Santa Fe. The back of this church has been done by
every major Western photographer. The entire area from Santa Fe to Taos
is rich with interesting churches.
I really can't say that I've taken too many good photos of any New
Mexican thing built by Anglos. There are a lot of huge adobe hotels and
such in Santa Fe that are impressive for scale. Los Alamos National
Lab is important historically. But I didn't spend enough time in the
state to find good Anglo subjects.
Things Made by Nature
New Mexico has high snow-covered mountains, dry plateaus, pine forests,
aspen forests, and canyons. There are also some animals but, unless you
are especially fond of deer, these will be difficult to photograph.
Chaco Culture National Historic Park
I'll leave most of the cultural description to the official National Park Service site.
Suffice it to say that Chaco is about a 4-hour drive from the ABQ
airport, one hour of which is along a semi-rough dirt road (regular
rental car is fine). Bring everything that you will need except water.
Pitch a tent in the campground and feel envious of the people in their
nice RVs.
Chaco was the center of a trading society with an extensive road network
and far-flung settlements. There are all kinds of impressive ruins,
notably Pueblo Bonito, which once contained 600 rooms and 75 kivas.
Between Chaco and Mesa Verde...
... there are some interesting places to visit, not least of which is
Aztec Ruins National Monument. This area was built up by people from
Chaco around 1100 A.D. and then occupied by people from Mesa Verde
around 1200 A.D. There is a ruined pueblo the size of a football field
and a reconstructed Great Kiva.
Mesa Verde
Strictly speaking, Mesa Verde is not in New Mexico but rather just over
the NW border into Colorado. However, it is spiritually and physically
quite close to Chaco and deserves to be included in any tour of New
Mexico.
Here's what I wrote to my brother back in 1994:
I'm very glad I got to Mesa Verde last weekend. The Park Service is
going to close all the ruins to tours in a couple of years, according
to one ranger. One could see why. They've instituted a ticket system
for Cliff Palance and Balcony House, two of the the largest ruins.
The (free) tix sold out at 11:30 and 1 on Saturday so I went only to
Balcony House on Sunday (there is plenty more to see in the park).
About 50 people went on the tour and there was really no way for them
to all stay off the ruin walls. A really interesting anthropologist
gave the tour and explained the Anasazi movement from pit houses on
the mesa top (600 AD) to above-ground housing (1000 AD) to cliff
housing (1200 AD) in terms of better food preservation technology to
support a growing population. (They bugged out entirely in around
1300 to become the Hopi and the rest of the Pueblo Indians, presumably
in response to a drought, deforestation, and exhaustion of the local
resources.)
As long as you're in Colorado...
... you might as well drive east from Mesa Verde until you get to Great
Sand Dunes National Monument.
The most obvious photographic tip here is to plan your trip to include
at least one sunset and at least one sunrise; the dunes aren't so
interesting in the flat light of midday. There is a campground within
the park and you'll be able to get plenty of rest because there isn't
much nightlife inside Great Sand Dunes National Monument.
Try to avoid changing film out in the Dunes, especially if it is windy.
Sand inside your camera will scratch the negatives and only hours and
hours of painful work in PhotoShop will restore them. Sand can also get
into lens focusing helicals so you might not want to take those $3,000
Hasselblad lenses out onto the Dunes if the wind is high.
Taos
The most interesting thing in Taos is the Pueblo.
[By the way, unless you are an expert skier, do not even think about skiing in Taos.
It is one of the toughest mountains in the US and basically does not
have beginner slopes. The nearby Angel Fire resort apparently caters to
wimps to some extent, though I've never been there.]
Ranchos de Taos
Just a few miles south of Taos, this little town is world-famous for its
church. Nobody seems to want to photograph the front of the church or
the environs ...
Everyone wants to photograph the back of the church (which faces West).
But I was there in March when it wasn't the right time of day for the light:
I returned in August and got better results:
Between Taos and Santa Fe
Along the low (fast) road...
Chimayo, along the beautiful high road to Taos from Santa Fe, is famous for its church.
Santa Fe
By law, structures in the center of Santa Fe must be built from adobe.
Art, however, can be built out of anything, including Cheese Doodles:
One weekend in August, Santa Fe goes crazy with "Indian Market", where
hundreds of Native American artists converge on the plaza to sell their
wares. How expensive are some of these? Suffice it to say that all of
the cash machines in town are empty by Sunday afternoon.
Wherever I am, I like to take photos of dogs.
It would also seem that, wherever I am, I managed to get a photo of a
Gay Parade, though Santa Fe's isn't as big as New York's.
Salinas Pueblo National Monument
Drive south from Santa Fe along the Turquoise Trail through Madrid, an
officially charming artists' community. After you cross I-40, you'll
eventually come to Salinas Pueblo National Monument, a collection of
ruins. Here are my snapshots from the area:
White Sands National Monument
Fifteen miles southwest of Alamogordo ("home of the Big One"), White
Sands National Monument's pure gypsum sands are presumably beautiful at
sunrise. I wouldn't know because it was closed when I got there at 7
am, the official opening time. The military was testing missiles at the
nearby White Sands Missile Range. By the time the monument opened for tourists,
it was too late to get any decent photos. To distract you from the fact
that I couldn't stay an extra day to cover the 275 square miles of dunes
at sunset and sunrise, I'll throw in some random facts. Uh... actually
I can't think of any random facts. You drive in 8 miles. You drive
back out 8 miles. You get out of the car sometimes to walk around a bit
with your camera. You get back into the car.
Oh well, here are some of my photos (taken around 10 am) just to let you
know what White Sands looks like:
Carlsbad Caverns
Deep in southern New Mexico, Carlsbad Caverns National Park is
impressively huge (one room is the size of 14 football fields). It is a
tough place to photograph artistically. Electronic flash will
ruin the mood. The National Park Service is against lurid light shows
and mostly has the interior lit with subdued lights in just a few hues.
Still, it is worth a walk-through with a tripod. There is a cafeteria
down at the bottom if you should get hungry.
If you're going down as far south as Carlsbad, you should consider visiting
Guadalupe Mountains National Park in Texas and Juarez, Mexico (across
the border from El Paso).
Very Large Array
Officially in Socorro, the Very Large Array is actually 50 miles west on
a high deserted plateau. Countless movie crews have been attracted to
this spooky complex of huge parabolic antennae on railroad tracks.
There are 27 dishes, each 81 feet in diameter. They can be spread out
in a Y pattern 22 miles across. The basic idea is that the VLA can work
like an antenna that actually is 22 miles across. The larger
the antenna, the smaller angle over which it transmits or receives. So
the VLA dishes can be pulled in tight when radio astronomers want to
scan a broad area of the sky or spread out wide when investigating a
small region. Anyway, at this point I'm exhausting what I remember from
freshman physics at MIT, so you probably should check
the National Radio Astronomy Observatory
server for more info.
Acoma
On your way back from the VLA to the Albuquerque airport, consider
stopping at the Acoma Pueblo, continuously occupied since 600 A.D.
Albuquerque
The only thing that I can really recommend in ABQ is the National Atomic
Museum
Fly into Albuquerque. Leave immediately for the Acoma Pueblo and
allot a few hours to see it. Maybe spend the night in Grants.
Drive north to Chaco Culture National Historic Park. Spend 2 nights
there.
Drive up to Aztec Ruins National Monument and then proceed to Mesa
Verde. Spend 2 nights there.
Drive east to Durango, Colorado and spend 2 nights there.
Drive south to Taos and spend 1 or 2 nights there.
Think about driving west to Ghost Ranch near Abiquiu and staying a
few days taking a class; otherwise go straight on to Santa Fe
Spend five nights in Santa Fe. Go to Los Alamos and Bandelier for
one day. Go to Chimayo and the other small towns on another day. Spend
a couple of days poking around downtown Santa Fe. Go to the Santa Fe
Opera at night if you can (summer only).
Drive south through Madrid and cross I-40 to the Salinas Pueblo
National Monument. Try to stay overnight if you can.
Proceed south to Alamogordo and White Sands National Monument.
Spend the hour before sunset on the Dunes Drive. Sleep in a motel in
Alamogordo. Make sure that you arrive at the monument when it opens at
7 am to catch the morning light (else you'll have a bunch of bland
images like mine).
Proceed south-east to Carlsbad Caverns. If you're there on a Monday,
Wednesday, or Friday, try to go 26 miles east to the Waste
Isolation Pilot Project (800-336-WIPP) where atomic weapon byproducts
will remain stable for 10,000 years (unfortunately these byproducts are
deadly for 100,000 years). Spend the night in Carlsbad.
Proceed south to Guadalupe Mountains National Park.
Proceed west to El Paso and Juarez. Spend the night in El Paso.
Proceed north to the VLA. Spend the night in Socorro.
Proceed north to Acoma and then the Albuquerque airport.
Checklist
car, preferably big, comfortable, and air-conditioned + tent OR motorhome
cooler for food
cooler for film (no ice is OK; you just want to protect film from
the extreme heat of midday; professional film does not actually need to
be refrigerated--after a few months at room temperature, it becomes
"consumer" film and you can no longer rely on supertight color
tolerances)
several gallons of water in different kinds of bottles; you will
need to carry water with you everywhere.
film (tough to buy in New Mexico).
There is plenty of sunlight so so get the slowest, finest-grained film
that you can find.
largest format camera you own. New Mexico is unimaginably huge and
extremely conducive to slow high-resolution photography
handheld spotmeter. New Mexico is a very high contrast place.
Meter carefully.
The scenic areas of New Mexico are poorly supplied with professional
camera shops. If you're halfway through an expedition and need some
gear, get one of
the photo.net recommended camera retailers to ship you an item for
overnight delivery.
Guidebooks
The
New Mexico Handbook (Stephen Metzger; Moon) is my favorite guidebook to the state.
Most of these images were taken in March of 1994 with a Nikon system
(F4, 24, 50/1.8, 105 macro, 80-200/2.8) or in the summer of 1994 with a
Canon EOS system (14, 20-35/2.8L, 50/1.0, 35-350L). Film was either
Fuji Velvia, Fuji Sensia. In almost all cases, a tripod was employed.
The exceptions are some pictures taken with a Yashica T4 point & shoot
camera and Fuji ISO 400 color negative film. In all cases, the images
were scanned to Kodak PhotoCD and then run through the batch conversion
tools that I give away in my image library presentation
tutorial.