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Reciprocity Corrections for Color Slide Film
(data from Kodak and Fuji)
 
 
KODAK Film (Film Code) Calculated Exposure Time (Seconds). Exposure increases include adjustment required for suggested KODAK Color Compensating Filters.
1/10,000 1/1,000 to 1/100 1/10 1 10 100
KODACHROME 25 (Daylight) (KM) None/No filter +1/2 stop 
No filter		 Not recommended for 
critical use (NR)
KODACHROME 64 (Daylight) (KR) None/No filter +1/3 stop 
CC05R		 NR
KODACHROME 200 (Daylight) (KL) None/No filter +1/2 stop 
CC10Y		 NR
KODACHROME 25 Professional (PKM) None/No filter +1/2 stop 
No filter		 NR
KODACHROME 64 Professional (PKR) None/No filter +1/3 stop 
CC05R		 NR
KODACHROME 200 Professional (PKL) None/No filter +1/2 stop 
CC10Y		 NR
EKTACHROME ELITE II 50 (EA) and 100 (EB) None/No filter +1/3 stop 
CC075Y
EKTACHROME 160T (Tungsten) (ET)  None/No filter +1/3 stop 
CC10R		 NR
EKTACHROME ELITE II 200 (ED) and 400 (EL) None/No filter +1/3 stop 
CC05R		 +1/2 stop 
CC10R		 NR
EKTACHROME 64 Professional (EPR) None/No filter +1/3 stop 
CC05R		 NR
EKTACHROME 64T Professional (EPY) None/No filter +1/3 stop 
CC05R
EKTACHROME 100 Professional (EPN) None/No filter +1/3 stop 
CC05M		 NR
PROFESSIONAL EKTACHROME E100S, E100SW, and E200 None/No filter +1/3 stop 
CC075Y at 120 sec
EKTACHROME 100 PLUS Professional (EPP) None/No filter +1/3 stop 
CC25R		 + 1 stop 
CC25R		 2 stops 
CC10Y + 
CC25R
EKTACHROME 160T Professional (EPT) None/No filter +1/3 stop 
CC10R		 NR
EKTACHROME 200 Professional (EPD) None/No filter +1/2 stop 
CC05M		 NR
EKTACHROME 320T Professional (EPJ) None/No filter +1/3 stop 
CC05R		 +1/2 stop 
CC10R		 NR
EKTACHROME 400X Professional (EPL)  None/No filter +1/3 stop 
CC05R		 +1/2 stop 
CC10R		 NR
EKTACHROME P1600 Professional (EPH)  None/No filter Make tests for your actual conditions.
 
See http://kodak.com/cluster/global/en/professional/support/techPubs/e31/e31.shtml
or http://kodak.com/global/en/professional/support/databanks/filmDatabankColorRev.shtml
 
 
 
FUJI 
Film 
Type		 1/4000 
- 1s 
 		 4s 8s 16s 32s 64s 2m
8m
Velvia
(RVP)
-
5M
+1/3
7.5M
+1/2
10M
+2/3
12.5M
+1
NR
NR
NR
Provia 100 (RDPII)
-
-
-
-
+1/2
 
2.5R
+1
NR
Astia 100
(RAP)
-
-
-
-
-
+1/3
+1/2
NR
MS 100/1000
(RMS)
-
-
-
-
-
+1/3
+1/2
NR
Provia 400
(RHP)
-
-
-
5M+2.5R
+1
 ?
5M+5R
+1
NR
NR
Provia 1600
(RSP)
-
7.5R
+1/2
 ?
10M+5R
+2/3
10M+5R
+2/3
NR
NR
NR
 
See http://home.fujifilm.com/products/datasheet/

Readers' Comments


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John Shriver , February 08, 2005; 09:04 P.M.

The 1981 Kodak Professional Dataguide gives more recipcrocity data for Kodachrome films. For those who venture into these long exposures. (The films may have been changed since 1981, but these numbers are consistent with the data in the chart already.)

Kodachrome 25: 10 seconds +2, CC10B, 100 seconds +3, CC20B.

Kodachrome 64: 1 second, CC10R.

The same would presumably apply to the professional versions.

Jeffrey Engel , April 26, 2007; 12:05 A.M.

Anybody know what "M" and "R" stands for? I remember in school we were taught that whenever you make a chart or graph, you *always* include a legend that defines everything the graph. One cannot assume others know everything you're talking about. I know and understand reciprocity, but I do not get the whole xM +xR stuff...


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