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From the Editor: October 2006

by Philip Greenspun

Photokina 2006 has come and gone with a yawn. Just a few years ago, we would have watched the new equipment announcements with tremendous excitement. What has changed? Digital cameras.

In 2000, a typical digital camera took 5-8 seconds to start up, froze up for 3-5 seconds between pictures, recorded images at two or three megapixels, and lacked an orientation sensor so that half the images came up sideways on the computer. You probably missed most of the photographic situations you'd tried to capture. If you did capture something that you wanted, the image quality wasn't high enough to support an 8x10 enlargement.

Today, anyone with a credit card can go out and get a digital camera that offers ample resolution up to 16x20 prints, turns on instantly, orients the RAWs or JPEGs properly, and is reasonably responsive. You might not like the price of a Canon 5D or Nikon D200, but the machines function about as well as any 35mm camera ever did.

That said, what caught my eye among the Photokina 2006 announcements? Stuff that a lot of folks can use right now:

  • 16 GB flash cards from Sandisk and Pretec (available in December).
  • Zeiss prime lenses for Nikon; the big camera companies realized a long time ago that most consumers couldn't understand the point of buying anything other than a 28-300 zoom, so they stopped investing in prime (fixed focal length) lens design.

Fun stuff:

  • Seitz 6x17 scanning 160 megapixel digital camera, not quite as useful as a 20-year-old Fuji 6x17, which is a great point-and-shoot street photography camera when loaded with Ilford 3200 film.
  • Hasselblad H3D; why use a puny Canon EOS 24x36mm digital sensor when all the real photographers have moved up to 48x36mm? Image quality should be spectacular at 39 megapixels. I'll wait for a 48x48mm version before plunking down $40,000+. What's the point of using a Hasselblad if you're going to get boring rectangular pictures like you'd get from a Nikon or Canon? (I wrote about the joys of 6x6 in "Choosing a Medium Format Camera".)

Interesting and fun, certainly, but nothing that will make or break a photographic project. Digital cameras have advanced to the point that we can ignore them and go back to the elements that make a great photograph: time, patience, composition, lighting.

New photo.net staff

photo.net was a successful hobby/personal site from 1993-2000. It was an unsuccessful business from 2000 to mid-2006. We have a mostly new staff that is in its first months of attempting to make the site more successful as a learning environment, better editorially, and profitable. We've made a few minor changes so far, most of which you can see by visiting the home page and the rewritten Terms of Use.

We're working on a big push to upgrade the software behind the site to a newer version of the ArsDigita Community System (3.4), which we have to complete in November. After that, we will be improving sections of the site much more rapidly.

Please bear with us through what are probably going to be some rocky days and nights as we get the software right. It took six years for the site to drift from its moorings; we think we might be able to get it back to where we want it in 6-9 months.

Forthcoming Camera and Lens Reviews

We're about one month away from an editorial production system that will enable us to take in articles and reviews from a lot more contributors.

As a Canon EOS user, I'm personally going to be playing around with the 30D, the 17-55/2.8 small-sensor lens, the 24-105/4 IS lens (mostly from a helicopter where the IS gets a workout), the 24-70/2.8L lens, and the new Digital Rebel XTi.

What I'm working on

I'm working on a couple of projects. One is a boring article on aerial photography with some examples from the Boston area. I'm especially interested in ugly suburban housing developments, McMansions, and other realistic depictions of 21st Century American built environments (my theory is that our suburban sprawl explains much of why Mexicans are happier than we are, despite a much lower material standard of living). The second project is going to be a collaborative one with photo.net readers. I want to produce a Web site for young people who are trying to choose a career. Each page will be a portrait of a 35, 40, or 45-year-old plus some photos of this person at work and some information about the career in question. Most young people choose careers based on what they've read in newspapers, heard from parents and peers, and seen in Hollywood movies (where even lawyers are fun, happy fulfilled people!).

Text and photos Copyright 2006 Philip Greenspun.